CHANGE MACHINE
Change Machine is a public artwork hand cranked pressed penny machine that stamps ordinary pennies into pennies dated from the future. Drop in a penny, turn the crank, and walk away with a coin stamped with a year that hasn't happened yet: 2026, 2027, 2028, or 2029. The future is the change you make.
The penny was officially retired on November 12th, 2025, because it cost more to produce than it was worth, but the thinking that kept it around long past its usefulness is worth examining. Like every movement that has ever shifted the weight of history, change requires bodies in motion and hands at work.
Change Machine will be on view at East Village Vintage Collective (545 East 12th St, 10009) from September 2nd - 30th . All proceeds benefit EVLovesNYC, a nonprofit that provides free meals to New Yorkers and advocates for structural change to end food insecurity.
Change Machine (East Village)
On View: Sept 2 – Sept 30, 2026
Where: EVVC - 545 East 12th Street, New York, NY, 10009
Lee Masterson (@LeopoldMasterson)
East Village Vintage Collective (@EVvintagecollective)
EV Loves NYC (@EVLovesNYC)
Change Machine
Date: 2026
Materials: One penny and a 2026 American-made penny press souvenir coin machine containing laminated wood, hardware, electrical implements, a custom coin operated steel mechanism, and custom printed signs.
Dimensions: H: 60.26 in, W: 14.5 in, D: 16.5 in
Weight: 165 lb
You put a penny in the penny machine, turn the handle, and strike a penny for the future. Your action physically makes change. This is not a metaphor. It is a reminder. Every movement that has ever shifted the weight of history required bodies in motion and hands at work. The currency of the past becomes the currency of the future only through that pressure, that turning, that strike.
The first known pressed penny machine made its debut at the 1892-1893 Chicago World's Fair and Columbian Exposition. Since then pressed penny machines have been a fixture of American tourism for over a century, souvenirs flattened and stamped with images of the places we visit and the moments we want to remember. This machine works the same way, but instead of commemorating the past, it mints the future.
The newly minted pressed penny can be seen as two sides of the same coin. On one side, it is a hopeful symbol of progress through our shared economic history, a history that gave us the middle class, the minimum wage, and the slow, uneven march toward broader financial inclusion. On the other, it is a stark reminder of our regressive ways of thinking about value. The last penny was minted in Philadelphia on November 12th, 2025, retired because it cost more to produce than it was worth. Yet the thinking that kept it around persists, in the ways we measure work and decide what deserves to be valued.
By placing a coin from the past into a machine and turning the handle yourself, you become part of the process. The future is the change you make.
E.F.H. show schedule for the rest of 2026
Brimfield, MA (Sept 8 - 12)
Dealer’s Choice (in the pavilion in the middle):
Tuesday September 8, 2026
71 Palmer Road, Brimfield MA
-
New England Motel (at the main food court):
Wednesday Sept 9 – Saturday Sept 12, 2026
30 Palmer Road, Brimfield MA
Big Red Barn/ Continental Tent, Round Top, Texas (Oct 25-31)
October 25th - October 31st, 2026
9AM - 5PM
475 Texas HWY 237, Carmine, TX, 78932
New York City Jewelry, Antique and Object Show (Nov 19-22)
Thursday November 19th - Sunday November 22nd, 11AM- 6PM
Metropolitan Pavilion
125 West 18th Street
New York, NY 10011
June, 2026
The Remains of the Gay
The Remains of the Gay is an exhibition of new work by Sam Gassman at Ornamentum Gallery. On view will be hand-sewn flags, rag jewels and a new series of antique jewel assemblages. Themes include American politics, the gay influence on its founding, and the nostalgic leavings of lost empires.
June 25 - July 20, 2026
reception and artist talk Saturday June 27 during Upstate Art Weekend
506 Warren St.
Hudson, NY 12534
OPEN STUDIO & Fall Preview
November 8th, 2025 from 1pm-8pm
November 9th, 2025 from noon-5pm
Please RSVP
E. Foxe Harrell | Show Schedule
Summer / Fall 2025 - See You There!
Brimfield, September 2-7
Dealer’s Choice (in the pavilion in the middle):
Tuesday September 2nd, 2025
71 Palmer Road, Brimfield MA
-
New England Motel (at the main food court):
Wednesday Sept 3rd – Saturday Sept 6th, 2025
30 Palmer Road, Brimfield MA
-
Big Red Barn - Continental Tent
Round Top, Texas, October 12-18
Sunday October 12th, Noon- 6pm
Monday, October 13th, 9am - 6pm (OPENING DAY)
October 14-18th, 9am-5pm
475 Texas HWY 237
Carmine, TX, 78932
-
New York Jewelry and Object Show, November 21-23
Friday- Sunday, 11AM- 6PM
Metropolitan Pavilion
125 West 18th Street
New York, NY 10011
Lee & Sam Open Studio
May 31, 2025
Noon- 8
Please RSVP via email or text
_
NEXT OPEN STUDIO
November 8th & 9th, 2025
March - April 2025
Invitation to the 21st INTONATION
From March 28th to April 6th you can experience international art up close in Deidesheim, Germany. Artists from Taiwan, Thailand, America, Lithuania, Norway, Sweden and Germany will come together to work, exchange ideas and present their works for ten days. The works could hardly be more diverse: Miniatures made of porcelain, vessels and shapes, heart-warming tableware and abstract sculpture. It will be a colorful symposium and I will see you there!
Open Studios | Lee & Sam
Please RSVP
Dates:
Friday, March 7th, 6-10PM
Saturday, March 8th, Noon – 10PM
March-April 2025 (Coming)
I will be at the Intonation Residency in Deidesheim, Germany in March-April 2025.
You can learn more about it HERE if you are in Germany the end of March!
NADA X P.A.D in New York Magazine
May 2024
https://www.curbed.com/article/5-design-standouts-at-the-nada-art-fair.html
March 2024
A Half Glass Full: New Works by Lee Masterson
NADA New York, May 2-5 at 548 West 22nd Street, Chelsea, New York with P.A.D. Gallery.
A Half Glass Full: New Work by Lee Masterson continues the P.A.D. tradition of bringing a longtime member of its roster and its inclusive vision to the broader community of artists, collectors and enthusiasts. Lee Masterson has been a member of P. A. D. since its inception.
Lee Masterson’s newest body of ceramic work combines exquisite form with a slightly twisted sensibility. He takes forms from history such as the classical amphora, the Baroque frame, the Canopic jar, the Art Nouveau teapot, the Japanese sake set. He turns them around, splits them, warps them, coats them in gold, decontextualizes them and makes them new and surprising.
The combination of impeccable craft and an understanding of the lineage and context of forms gives this work its power. The riotous “end of day” pieces complete the story and reveal the leftovers of the process. They show the love of the material and the things that might otherwise be lost, overlooked, or discarded.
The exhibition is curated by Sam Gassman and Janet Zweig, with the help from Patrick Mohundo of P.A.D.
Diamonds, Razors and Champagne (2021)